Editorial Reviews Music Review:
Music Review
Play the Game: Victorian & Edwardian Sporting Songs
Nobody Better [CD-single] [Import]
Nice & Greasy [Original recording remastered] [Import]
Mozart: Piano Concertos nos 10, 19 & 20 / Rabinovitch, Argerich
Outside [Import] [Limited Edition]
Amazon.com
Formed in the early 1980s, the Violent Femmes and their folky, quirky, acoustic-driven take on power pop gained them a reputation as the freakish cousins of the then-massive new-wave movement. It also gave them quite a huge following, especially after the success of their debut. Their formula was simple: Gordon Gano's adenoidal whine and offbeat lyrics coupled with Brian Ritchie's frenzied acoustic bass and a simple, stripped down drum kit. Almost two decades later, their formula really hasn't changed much; Freak Magnet couldn't really have been performed by anyone other than the Violent Femmes. Gordon Gano still knows how to write great pop songs, and "Hollywood Is High," "Sleepwalkin'," or "New Generation" could have easily appeared on any previous Violent Femmes release. Freak Magnet is not the sound of a band maturing or exploring a new sound or even expanding on an old one; rather, it's the sound of a band comfortably within its element. After the feeble effort of 1994's New Times, Freak Magnet is a fantastic return to form. --Robert Burrow