In the Bloodlit Dark

Editorial Reviews
New York Times, 1997
Neil Strauss of the New York Times proclaimed ZOAR as: “Masters of the cinematic instrumental.”

Kyle Gann “The Village Voice
conjuring as finely calculated an atmosphere as I’ve heard any ambient music elicit..superb...Kyle Gann The Village Voice

Album Description
ZOAR creates atmospheric music without boundaries. From ambient washes of the subconscious to explosions of dark industrial sounds, In the Bloodlit Dark (or ITBD) explores the theater of the mind. Each song is a mini-film score that paints disturbing images, from deep underwater melodic fantasies to a nightmarish predatory sexual soundscape that unfolds into a sub-basement torture chamber. Eerie ambience from cellos and strings combine with the sharp destructive teeth of synths and guitars to fill your mind with surreal sounds. With each repeated listening, ITBD reveals new layers of events and motion, invoking scenery as descriptive as a work of literature.

In the Bloodlit Dark

Music Review:

  1. Interpreter
  2. Jam Collection
  3. John Peel Sessions
  4. King Biscuit Flower Hour [Live]
  5. Kool Trash
  6. Laika Come Home [Enhanced] [Import]
  7. Last of the Sane
  8. Lavel 6ft 6in Realist [Explicit Lyrics]
  9. Life of Crime
  10. Little Airplane

Music Review

music review

Music Review

Send You Home

Mozart: Symphony No. 41 "Jupiter"; Eine kleine Nachtmusik

Music for an Abbey's Year

Music: Hicaz Mevlevi Ayini [Import]

Nothin to Celebrate [Import]

Miles of Smiles [EP]

Lonely in Paris [CD-single] [Import]

Raunch 'N' Roll Live [Live]

Mapleoak [Import] [Original recording remastered]

Dvorák: Piano Concerto, Op. 33; The Water Goblin, Op. 107

Rainbow Panda [Explicit Lyrics]

Nguni Sound

Mambo

From Tha Chuuuch to Da Palace

Stone Hits: The Very Best of Angie Stone