Editorial Reviews Moving away from the sometimes deeply sombre moods of the Rockers tunes and taking advantage of new inroads into programmed drum machines, these 12" emphasised a mood of optimism and dancehall celebration. Strictly good vibes abound, and who better to chant on the mic than the higher tones and pitch of great vocalists like Barrington Levy, Johnny Osbourne and Little John. In a way, it could be conjectured that these tunes returned to moods, vibes and melodies originally produced by men like Duke Reid and Coxsonne back in the 60's, but these fresh producers and artists still aimed for that reggae spirit of originality, that forward looking aspiration for re-invention and discovery. This is not the full digital rhythm pressure of later King Jammies tunes, or Winston Riley's productions like "Leave People Business" or Courtney Melody tunes that came later: The tracks here fuse live instruments with digital beats and at times, some live percussion. These vocal tracks produce a sense of well being, a feeling of warmth: Like the previous album from Silver Kamel label, "Roots Rasta Party", this album features full 12" mixes. Vocal cuts followed by the DJ chants. Best of the bunch is the sheer optimism and joy of Johnny Osbourne's "Rub a Dub Session". Philip Fraser provides the dancehall minded "Dancing Time", and Barrington Levy's "Dancing Mood" features a weird offbeat timbale snare, adding depth and texture to the proceedings. I'll leave the final words to Silver Kamel label boss: "Our intent is to bring you a selection of music that will affect your life: whether it makes you happy and ready to dance, or awakens your inner consciousness and provokes action. Play it and feel good, for life is short. Enjoy every moment of every day and pass on your vibes to those around you." Greg Whitfield
Music Review:
Music Review
Offenbach: Gaité parisienne/Respighi: La Boutique fantasque
Mozart: Die Entfuhrung aus dem Serail / Solti, Venna State Opera Chorus, Vienna PO
Album Description
When reggae was emerging out of its metaphysical preoccupations of late 70's, it was more melodic tunes like these in the early to mid 80's that led the progression into digital music.