Editorial Reviews Music Review:
Music Review
Sunday Morning [CD-single] [Import]
Scherchen Conducts Mahler, Vol. 2: Symphony No. 6; Symphony No. 8; Kindertotenlieder
Music: Trade: Past Present & Future (Limited) [Import]
Rare Preludes, Vol. 1 [Import]
Small Town Underground, Vol. 2 [Import]
Streets of Philadelphia [CD-single]
Something Like Human [Enhanced]
Rumproller [Limited Edition] [Original recording remastered] [Import]
Amazon.com
Pop-rocker Marshall Crenshaw's output--eight studio albums and a couple of collections of odds and ends over his nearly two-decade recording career--isn't the most prodigious in terms of size. But even the least ambitious of his records, such as #447, are suffused with a sweet puckishness that's never at odds with the resigned tone he often favors. Where 1996's Miracle of Science made up for a paucity of new songs with imaginatively chosen covers (Ray Price, Dobie Gray, Grant Hart), #447 fills space with three smooth instrumentals that suggest some smart indie-film music supervisor should hire Crenshaw. (He supplied music for the short-lived sitcom Men Behaving Badly and was seen in La Bamba and Peggy Sue Got Married.) Among the additions to his seemingly endless catalog of relationship-crisis numbers are "Dime a Dozen Guy" and "Glad Goodbye," while "T.M.D." (presumably titled "Truly, Madly, Deeply" before Savage Garden beat him to the punch) is a rarity on this record: a song about being happy in love. Go figure. --Rickey Wright