Editorial Reviews Together, they weave material from disparate sources--including a slate of compelling Costello material, a pair of Brian Wilson's evocative "Pet Sounds" confessionals, a Tom Waits song from Francis Ford Coppola's One from the Heart (oddly, though effectively, coupled in medley with McCartney's "Junk"), an Abba song, and the Beatles' "For No One"--into a musical tapestry of stately power and grace. Costello sparingly uses his voice as seasoning throughout, though his masterful touch is everywhere. Otter's novice pop singing reveals an easy knack for jazz phrasing that should tempt further explorations and a warmth that belies the rigidity that's so often a byproduct of classical training. Most gratifying of all, this album ultimately achieves what's become one of the loftiest plateaus in Pop music: common ground. --Jerry McCulley Music Review:
Music Review
Handel: Musick for the Royal Fireworks/Four Coronation Anthems
Music: Heaven's Earth, Pt. 1 [CD-single] [Import]
Hate to Say I Told You So, Pt. 2 [CD-single] [Import]
Genius of Sarah Vaughan [Import]
Debussy: Solo Piano Music; Fantaisie; Ravel: Piano Concertos
Amazon.com
At a time when popular music has been micro-marketed to the far side of ad nauseam, Declan MacManus, a.k.a. Elvis Costello, has traded on his reputation as the brightest songwriter to emerge from the new wave era to foster any number of delightful, cross-genre/generation musical surprises, including soundtracks and collaborations with the Brodsky Quartet, Paul McCartney, jazz artist Roy Nathanson, and songwriting legend Burt Bacharach. The latest fruit of that generous, insatiably curious artistic spirit is this elegant partnership with Swedish mezzo-soprano Anne-Sofie von Otter. Though an admitted pop novice, Otter couldn't have picked a better confederate than Costello, an artist whose taste in songs has seldom been tainted by trend.