Fantasma

Editorial Reviews
Amazon.com
From the first cut--"Mic Check," one of the coolest disc openers heard in ages--it's apparant that Fantasma is something special. To hear electronic musician Cornelius (aka Keigo Oyamada) in full effect, skip ahead to "Monkey," which bends blistering shoe-gazing rock with goofy sound effects, lush, surf's up vocals, and a pleasantly modulating 1980s synth with a loud, distorting drum-roll sample. Cornelius's rock-savvy, playful, and idiosyncratic musical collage works as much off the tension between disparate, sampled sounds as their seamless dance alongside each other. Fantasma is firmly in the spirit of the anything-goes, D.I.Y. tradition of both punk rock and early hip-hop. --Mike McGonigal

Spin
Fantasma, [Cornelius's] third full-length and debut U.S. album, is an exuberant kaleidoscope of hip-hop, noisecore, film soundtracks, cheesy listening, indie rock, even Sesame Street.... Fantasma is an endearing music-obsessive-comes-of-age tale--from Saturday morning TV to arena rock to bootleg Jean-Jacques Perrey reissues--but once the initial weirdness-buzz wears off, there's not a whole lot to latch onto.

Fantasma

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