Editorial Reviews
Music Review:
Music Review
LUCIANO PAVAROTTI SINGS [Import]
Let's Hear It For The Boy Vol. 2
In Liebe Meine Schönsten Balladen
Life After Evolution: Reality Check
Haydn: Concerto for cello No1; Boccherini: Concerto for cello No3
Live on Lenox Ave. [Explicit Lyrics] [Live]
Mozart: Die Entfuhrung aus dem Serail (arr. Franz Joseph Rosiniack for wind ensemble)
Amazon.com
After its most prolonged absence from the recording studio, Sleater-Kinney has reloaded with a smoldering rock and roll record that rivals John Lennon’s Plastic Ono Band and Nirvana’s In Utero in terms of unexpectedness. It is a 180-degree proclamation to the album which came before it. Producer David Fridmann (Weezer, Flaming Lips) coaxed the Portland, OR trio to retool its approach to making music. The results are startling and far and away the most collaborative, experimental and risky in the band’s seven-record career. Corin Tucker’s supreme guttural form is on display from the lead-off track "The Fox"--a would-be children’s tale overridden by crunching power chords and drummer Janet Weiss’s battering percussion. The Woods tugs on your ear musically and stabs at your heart lyrically on riff-wielding jaunts "Wilderness," "Modern Girl" and "Rollercoaster." The live-in-one-take, 11-minute blockbuster "Let’s Call It Love" unleashes Carrie Brownstein’s foray into guitar-solo psychedelic. Haven’t heard Sleater-Kinney yet? Try Dig Me Out and work your way forward. Already on board? Find a steady chair, feel your ears bleed and watch your speakers disintegrate. --Scott Holter
Album Description
The Portland trio's first album for Sub Pop. A much more riff-heavy affair, this album finds the band pushing their sonic/compositional boundaries, while maintaining their identity. The limited edition version (25,000) comes with a bonus DVD featuring five performances of new songs recorded live in Portland.