Editorial Reviews
Music Review:
Music Review
Eighteenth- Century Music For Two Keyboard Instruments
Grace of God [CD-single] [Import]
Global Underground: Toronto: Dubfire
Erinnerungen an Roy Black 1971-1974 [Import]
Isaac: Missa de Apostolis/Motets
Jazz Music: "Live" On Tour in Europe [Live] [Import]
Gettin' Paid [Explicit Lyrics]
Amazon.com
After its most prolonged absence from the recording studio, Sleater-Kinney has reloaded with a smoldering rock and roll record that rivals John Lennon’s Plastic Ono Band and Nirvana’s In Utero in terms of unexpectedness. It is a 180-degree proclamation to the album which came before it. Producer David Fridmann (Weezer, Flaming Lips) coaxed the Portland, OR trio to retool its approach to making music. The results are startling and far and away the most collaborative, experimental and risky in the band’s seven-record career. Corin Tucker’s supreme guttural form is on display from the lead-off track "The Fox"--a would-be children’s tale overridden by crunching power chords and drummer Janet Weiss’s battering percussion. The Woods tugs on your ear musically and stabs at your heart lyrically on riff-wielding jaunts "Wilderness," "Modern Girl" and "Rollercoaster." The live-in-one-take, 11-minute blockbuster "Let’s Call It Love" unleashes Carrie Brownstein’s foray into guitar-solo psychedelic. Haven’t heard Sleater-Kinney yet? Try Dig Me Out and work your way forward. Already on board? Find a steady chair, feel your ears bleed and watch your speakers disintegrate. --Scott Holter --This text refers to the Audio CD edition.
Album Description
The Portland trio's first album for Sub Pop. A much more riff-heavy affair, this album finds the band pushing their sonic/compositional boundaries, while maintaining their identity. The limited edition version (25,000) comes with a bonus DVD featuring five performances of new songs recorded live in Portland. --This text refers to the Audio CD edition.