Editorial Reviews Music Review:
Music Review
Liszt: Hungarian Fantasy/Orchestral Favorites
Lysight: Oreades; Trois Croquis
Music: 50's & 60's: Male Country, Vol. 1 [Karaoke]
Love Is a Dancefloor [CD-single] [Import]
Moscow Contemporary Music Ensemble 6
Live at Jazz Standard [Hybrid SACD] [Live] [Import]
Live & Still Jumping [Live] [Import]
Ocean of Funk [Explicit Lyrics]
Amazon.com
The Shins' sophomore album is a joy from start to finish, though it's rather different from their 2001 leftfield pop genius stunner Oh, Inverted World. That album was like a warm embrace from a long-lost pal. True to its title, all of the songs were of a piece, seeming to inhabit one landscape, with an invitingly similar sound throughout. Chutes is more far-reaching and decidedly eclectic. Each song is essentially its own genre exercise. There's singer-songwriter James Mercer's surprisingly Perry Farrell-ish wail on the almost indie-metal opener, "Kissing the Lipless"; the lovely pedal steel lilt to "Gone for Good"; the moody folktronica of "Those to Come"; and the Cars-gone-rockabilly riffing on "Turn a Square." The strongest song, the acoustic "Young Pilgrims," is stripped-down and brilliant. On every tune, Mercer packs more hooks and melodic invention than most bands do on one album. As a whole, it's an even better record than Inverted World. --Mike McGonigal