Double Take: Jazz-Poetry Conversations

Editorial Reviews
Product Description
Public Enemy’s Chuck D. was here to fight the power. Michael S. Harper is here to disturb the peace. Public Enemy used hip-hop to express race, sex, politics and purpose. Michael S. Harper uses the pantheon of jazz gods, his mouth and a bass clarinet.

For the past three decades, this poet laureate of Rhode Island hasn’t paid any mind to moth-eaten poetics with tired "let me count the ways" blah. Harper grabs the mic back from would-be coffee shop confessors and armchair cultural quarterbacks, shuts it off and shouts.

He speaks in cocaine highs creeping up your groin. He speaks with the mouth of Black Narcissus. He speaks Coltrane jazz with messy fingerings (calling on the howling ghosts of Charlie Parker, Miles Davis, John Coltrane, and Bessie Smith)

His partner in crime is bass-clarinetist/composer Paul Austerlitz, known for his sweet n’ punchy collaborations with Fred Ho’s Afro-Asian Music Ensemble, and Caribbean music legends Gonzalo Rubalcaba and percussionist Julito Figueroa.

"Double Take: Poetry/ Jazz Conversations" breaks 180 degrees from bling obsessed rappers with MTV cribs or actors and actresses in Hollycars and goes straight to the root, where words and music can still kill you.

Harper and Austerlitz both teach at Brown University.

Double Take: Jazz-Poetry Conversations,Paul Austerlitz,Michael Harper,Innova Records,Jazz,Pop

Jazz Music: