The performances of Luis Valdez's El Teatro Campesino, the farmworkers' theater, and Amiri Baraka's (LeRoi Jones's) Black Revolutionary Theater (BRT) during the 1960s and 1970s, offer preeminent examples of social protest theater during a momentous and tumultuous historical juncture. The performances of these groups linked the political, the cultural, and the spiritual, while agitating against the dominant power structure and for the transformation of social and theatrical practices in the U.S. Founded during the Delano Grape Pickers' Strike and Black Power rebellions of the mid-1960s, both El Teatro and the BRT professed cultural pride and group unity as critical corollaries to self-determination and revolutionary social action.
Taking It to the Streets : The Social Protest Theater of Luis Valdez and Amiri Baraka (Theater: Theory/Text/Performance),Harry Justin Elam,University of Michigan Press,0472087681,California,Drama,Ethnic Studies - General,Ethnological Aspects Of Performing Arts,General,Mexican American theater,Performing Arts,Performing Arts/Dance,Teatro Campesino (Organization,Teatro Campesino (Organization),Theater,Theater - General,Theater - History & Criticism,Valdez, Luis,Workers' theater,Social Science / Popular Culture
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Taking It to the Streets : The Social Protest Theater of Luis Valdez and Amiri Baraka (Theater: Theory/Text/Performance)
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