Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine
Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine
Editorial Reviews
Book Description
In this erudite and profusely illustrated history of perception, Barbara Stafford explores a remarkable set of body metaphors deriving from both aesthetic and medical practices that were developed during the enlightenment for making visible the unseeable aspects of the world. While she focuses on these metaphors as a reflection of the changing attitudes toward the human body during the period of birth of the modern world, she also presents a strong argument for our need to recognize the occurrence of a profound revolution -- a radical shift from a textbased to a visually centered culture. Stafford agues, in fact, that modern societies need to develop innovative, nonlinguistic paradigms and to train a broad public in visual aptitude.
Barbara Maria Stafford is Professor of Art History at the University of Chicago.
About the Author
Barbara Maria Stafford is the William B. Ogden Distinguished Service Professor of Art History at the University of Chicago. She is the author of Good Looking, Artful Science, Body Criticism, and Voyage into Substance (all published by MIT Press) and Symbol and Myth: Humbert de Superville's Essay on Absolute Signs in Art.
Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine,Barbara Maria Stafford,The MIT Press,0262691655,18th century,Anatomy, Artistic,Art,Art & Art Instruction,Body image,Criticism,History,Medicine and art,Popular Culture - General,Art / Fine Arts
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Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine
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