Visual Culture and the Holocaust (Rutgers Depth of Field Series)
Editorial Reviews
From the Back Cover
How does one represent the Holocaust? What does it mean to visualize it? Despite Theodor Adorno's famous injunction that there can be no poetry after the Holocaust, the past half century has produced repeated attempts to impart that which has been considered beyond the limits of representation. From Steven Spielberg's Schindler's List, Claude Lanzmann's epic documentary project Shoah, to Art Spiegelman's Maus, the visual domain has emerged as a fruitful venue for representing those horrible times.
Visual Culture and the Holocaust takes that domain as its focus. It considers the increasing number of works that claim to give us access to the Holocaust, asking for whom these images are intended and how effective they are at promoting remembrance and understanding. Barbie Zelizer has gathered essays from a group of internationally renowned scholars representing a broad range of disciplines to consider both the traditional and the unconventional ways in which the Holocaust has been visually represented. In addressing film, painting, photography, museum exhibits, television, the Internet, and the body itself as venues for these representations, the essays explore the abilities of these different genres to testify to the tragedy, particularly in relation to the horrific historical fact they seek to translate.
Visual Culture and the Holocaust substantially enhances what we know of the visual representation of the Holocaust. An introduction by the editor provides an important historical and theoretical overview of these efforts as well as a context in which these accomplishments may be understood.
Contributors are Dora Apel, Lawrence Douglas, Miriam Bratu Hansen, Geoffrey Hartman, Marianne Hirsch, Andreas Huyssen, Tamar Katriel, Elizabeth Legge, Yosefa Loshitzky, Anna Reading, Lisa Saltzman, Jeffrey Shandler, Ernst van Alphen, Liliane Weissberg, James E. Young, and Barbie Zelizer.
--This text refers to the
Library Binding
edition.
About the Author
Barbie Zelizer is the Raymond Williams Term Chair and an associate professor at the Annenberg School for Communication at the University of Pennsylvania. She is the author of Remembering to Forget: Holocaust Memory through the Camera's Eye and other books on the media.
--This text refers to the
Library Binding
edition.
Visual Culture and the Holocaust (Rutgers Depth of Field Series),Barbie Zelizer,Rutgers University Press,0813528933,20th century,Art,Art & Art Instruction,Arts, Modern,Criticism,Ethnic Studies - General,History - General,History - Modern (Late 19th Century to 1945),Holocaust,Holocaust, Jewish (1939-1945),,Holocaust, Jewish (1939-1945), in art,Popular Culture - General
Visual Culture and the Holocaust (Rutgers Depth of Field Series)
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