Palestine, Israel, and the Politics of Popular Culture
Editorial Reviews
Book Description
This important volume rethinks the conventional parameters of Middle East Studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. Contributors consider the ways that Palestinian and Israeli popular culture influences and is influenced by political economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace.
The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in nineteenth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture.
Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
From the Back Cover
“This empirically rich, theoretically innovative, and unusually wide-ranging volume brings together a set of fascinating and insightful explorations in the popular culture and cultural politics of Palestine/Israel, including music, cinema, television, cyberculture, tourism, comics, and the role of Israel and the Jews in U.S. evangelical Christian eschatology. By demonstrating how culture has been a crucial and often formative domain of contention both within and between Arab and Jewish societies in Palestine over the past century and down to the present day, the contributors open up a great deal of extremely valuable terrain that has been sorely neglected until now.”—Zachary Lockman, author of Contending Visions of the Middle East: The History and Politics of Orientalism
“Rebecca Stein and Ted Swedenburg’s volume Palestine, Israel, and the Politics of Popular Culture makes an invaluable contribution to the growing field of Middle Eastern cultural studies. Refusing essentialist understanding of culture, the editors and authors also transcend traditional Marxist paradigms. The volume insightfully illuminates the often marginalized issue of the politics of culture within the contested terrain of Palestine and Israel.”—Ella Shohat, Professor of Middle Eastern Studies and Cultural Studies, New York University
“This theoretically savvy, eye-opening tour through popular culture in and about Palestine and Israel confirms at once the inherant inseparability of culture/politics and the gripping mutuality of Israel/Palestine.”—Lila Abu-Lughod, author of Dramas of Nationhood: The Politics of Television in Egypt
Palestine, Israel, and the Politics of Popular Culture
Palestine, Israel, and the Politics of Popular Culture,Rebecca L., ed. Stein,Duke University Press,0822335166,Anthropology - Cultural,Arab-Israeli conflict,Archaeology / Anthropology,Middle East - General,Palestine,Palestinian Arabs,Political aspects,Popular Culture - General,Popular culture,Social Science,Social conditions,Sociology,Anthropology/Ethnography,Cultural Studies,Middle East Studies
Palestine, Israel, and the Politics of Popular Culture
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