Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
Editorial Reviews
Review
"I have never deliberately concerned myself with developing a distinctive "personal" style, but only with the excitement and pleasure of writing music as beautifully, as warmly, and as interestingly as I can."
–Henry Cowell
Book Description
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the "open sesame for new music in America." Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's "adventurous promotion of automobile junkyards for the finding of new sounds." In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne
In this major book of articles
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies),DAVID NICHOLLS,Routledge,9057550032,General,Music,20th century music,Biography: film, television & music,USA
Whole World of Music: A Henry Cowell Symposium (Contemporary Music Studies)
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