Wagner and Russia (Cambridge Studies in Russian Literature)
Editorial Reviews
Review
'Impressive ... well-researched survey of the impact of Wagner in Russia.' BBC Music Magazine
Review
"...offers a wealth of information on the reception of Wagner in Russia, and it provides a broad view of a theme which as hitherto only been treated in shorter essays....will be useful in both the undergraduate and graduate classroom. It reads fluidly and is handsomely laid out..." Slavic and East European Journal
"...an essential source for all those who wish to pursue the subject further." The Russian Review
"I recognize with gratitude the work Bartlett has undertaken in collecting so much undeniably helpful information under one cover." Opera Quarterly
"This fine study traces Wagner's music and ideas in Russia from 1841 to 1991, detailing his reception and performance history, the factors that shaped them, and his admirers and detractors." Slavic Review
"...a rich volume, blending vivid strands of Russian music, art, theater, philosophy, and politics....Without question, the landscape of Wagner's reception and influence has been significantly enlarged by Bartlett's fine and ambitious text." Carol Reynolds, Book Reviews
Wagner and Russia (Cambridge Studies in Russian Literature)
Wagner and Russia (Cambridge Studies in Russian Literature),Rosamund Bartlett,Catriona Kelly,Anthony Cross,Caryl Emerson,Barbara Heldt,Malcolm Jones,Donald Rayfield,G. S. Smith,Victor Terras,Cambridge University Press,0521440718,1813-1883,Composers & Musicians - Classical Vocalists,Criticism and interpretation,General,Influence,Literary Criticism,Music,Opera,Russian & Former Soviet Union,Wagner, Richard,,Literary Criticism & Collections / Russian & Former Soviet Union,Literary studies: general,Russia,Wagner, Richard
Wagner and Russia (Cambridge Studies in Russian Literature)
Books:
Books