Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

Editorial Reviews
Review
'... this is a magnificent study. The writing throughout is sympathetic, witty, engaged, quietly ambitious; and Rehding is wonderfully sensitive to the poignancy of Riemann's tale.' Nineteenth-Century Music Review

Book Description
Hugo Riemann (1849-1919) is generally acknowledged as the most important musicologist of his age. By analyzing his musical thought within the turn-of-the-century context of interest in the natural sciences, German nationhood and modern technology, this book reconstructs how Riemann's ideas not only "made sense" but advanced a belief of the tonal tradition as both natural and German. Riemann influenced the ideas of generations of music scholars because his work coincided with the institutionalization of academic musicology around the turn of the last century.

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism)

Hugo Riemann and the Birth of Modern Musical Thought (New Perspectives in Music History and Criticism),Alexander Rehding,Jeffrey Kallberg,Anthony Newcomb,Ruth Solie,Cambridge University Press,0521820731,1849-1919,Criticism and interpretation,General,History,History & Criticism - By Composer,Music,Music theory,Musicology,Riemann, Hugo,,Music / General,Riemann, Hugo,Theory of music & musicology

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