Schenker: The Masterwork in Music: Volume 3, 1930 (Cambridge Studies in Music Theory and Analysis)
Schenker: The Masterwork in Music: Volume 3, 1930 (Cambridge Studies in Music Theory and Analysis)
Editorial Reviews
Book Description
The Masterwork in Music comprises the main writings from the mid-1920s to 1930 of the eminent Austrian theorist and music-philosopher, Heinrich Schenker (1868SH1935); these range from detailed analyses of individual works to discussions of music theory in a historical/cultural context to general thoughts about music, art and culture. The third and final volume of Masterwork embraces all three types of essay, but is in reality dominated by the most detailed and, for many, the most celebrated of all of Schenker's studies of single works: the analysis of Beethoven's Eroica Symphony. All four movements are discussed and graphed in painstaking detail.
Language Notes
Text: English (translation)
Original Language: German
--This text refers to an out of print or unavailable edition of this title.
Schenker: The Masterwork in Music: Volume 3, 1930 (Cambridge Studies in Music Theory and Analysis)
Schenker: The Masterwork in Music: Volume 3, 1930 (Cambridge Studies in Music Theory and Analysis),Heinrich Schenker,William Drabkin,Ian Bent,Richard Kramer,John Rothgeb,Hedi Siegel,Cambridge University Press,052145543X,History & Criticism - General,Instruction & Study - Theory,Music,Music Theory,Music / General,Theory of music & musicology
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