Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music)

Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music)

Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music)

Editorial Reviews
Review
' ... impressive addition indeed to the bibliography on this composer ... I applaud her fascinating interpretative work ... this undeniably full and rewarding book is sure to stimulate debate and open new avenues of research for many decades to come.' Journal of Plainsong & Medieval Music
'Anne W. Robertson's book is simply brilliant and undoubtedly one of the most important studies of the music of the late medieval era in recent years.' Early Music Magazine
'Anne W. Robertson's book is simply brilliant and undoubtedly one of the most important studies of the music of the late medieval era in recent years.' Maricarmen Gomez, Goldberg

Review
"[A]rgues that Machaut's works are best understood in the context of his long-term relationship to Reims and its cathedral ... this is a wonderful study.... Recommended." Choice

Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music)

Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music),Anne Walters Robertson,Cambridge University Press,0521418763,Criticism and interpretation,France,Guillaume,,History & Criticism - General,History and criticism,Music,Musicology,Reims,ca. 1300-1377,de Machaut,,Composers & musicians,Guillaume,Medieval & Renaissance music (c 1000 to c 1600),Music / General

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Guillaume de Machaut and Reims : Context and Meaning in his Musical Works (Cambridge Studies in Medieval & Renaissance Music)

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