Editorial Reviews
Book Description
Chinese archaeologists digging in central China in 1977 unexpectedly uncovered two of the earliest and most extensive surviving groups of musical instruments in the entire ancient world, dating from nearly 2500 years ago. Since these percussion, string, and wind instruments were in near-pristine condition-some still playable, others inscribed with musicological information-they provided hitherto unimagined possibilities for the study of music and the history of musical instruments in ancient China.
Presented here are the insights of six specialists who describe these instruments' sophisticated tuning systems, techniques of manufacture, and inscriptions revealing their musical and non-musical significance in ancient Chinese society. It has become apparent that different types of music coexisted in Bronze Age China (2000-500 B.C.) for state rituals as well as for private entertainment. The authors place this evidence in the context of recent archaeological discoveries and reassess it in light of classical history and the literature on Chinese music. The three main families of instruments are also examined in detail in individual chapters.
Lovers of art and music, as well as enthusiasts of archaeology, musicology, and cultural history, will find this a compelling and readable presentation of the latest research and ideas on one of the world's oldest and most profound artistic expressions.
About the Author
Jenny F. So is curator of ancient Chinese art at the Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution. She is coauthor with Emma C. Bunker of Traders and Raiders on China's Northern Frontier.
Music in the Age of Confucius,Arthur M. Sackler Gallery (Smithsonian Institution),Jenny F. So,Smithsonian Books,0295979534,Ancient Archaeology,Archaeology,Asia - China,China,Early Music,Ethnomusicology,Exhibitions,History & Criticism - General,History and criticism,Music,Musical instruments,To 500
Books:
Books